Category Archives: Zen Zen

Looking and Seeing

look_and_see

In the late 1970s, two of America’s best rock climbers were on a tear in Yosemite Valley, putting up new boulder problems left and right. Visionaries, both, neither Ron Kauk nor John Bachar saw the line on the Columbia Boulder, right in the middle of Camp 4, an area packed with climbers all season long. Instead, a climber Bachar described as “a drug addict, schizophrenic, and a wild guy” spotted the line first. John “Yabo” Yablonski, addled as he may have been, he was the one who saw possibility where no one else did.

As a photographer (aspiring and amateur, admittedly), I have been snapping pictures of the world around me ever since my parents bought me my first SLR in the early 1990s. Since then, my time with a camera in hand has taught me a lot about seeing — the first step in the art of photography. Strangely, this is easier said than done. Anyone can look (“A beautiful bridge! How exciting! I’ll take a picture of it!”) But to make that picture even hint at the power of the bridge you experience in your marrow, at least with any consistency at all, you have to condition yourself to see what is there. What is really there.

I know this must sound basic, or hopelessly oblique — of course you have to see! But looking is not seeing. You have to look to see, but it is quite easy to look and not see — In fact, I think it is our default mode. The photographer, the climber, the scientist, the writer — basically anyone trying to make or do anything worth a damn — must strive to see what is really before her. Only then can she decide how to proceed.

There is the bridge: sprawling span of steel and stone, rooted in earth and water. The sun hits it from this angle, throwing shadows in such a direction, stretching shapes from light and dark, illuminating some textures and obscuring others. Now frame it in your camera’s viewfinder. What does the camera see? Will that red and white tugboat be in the picture? Perhaps you should wait until it moves forward a little. Maybe wait a minute more, until it crosses that ray of light. To find the image you seek you must become, as Minor White writes in his essay “The Camera Mind and Eye,” like a sheet of film: “seemingly inert, yet so sensitive that a fraction of a second’s exposure conceives a life in it.”

To look, you need only your eyes — to see, your mind comes into play. When you see, you’re not just observing what is outside of you, but also what is inside. Both the external and internal fall under the heading What is There. ”He can look day after day — and one day, the picture is visible!” writes White. “Nothing has changed except himself.”

When Yabo looked at that wave-shaped hunk of granite in Camp 4, he saw a way for a human form to navigate its spartan surface. In a similar way Charles Darwin, on observing an orchid with an eleven-inch nectary, saw that there must be a moth with a proboscis long enough to reach the nectar in its bottom. Only four decades later would the actual moth be discovered. Any scientist could look at the oddly shaped nectary, but not anyone could see its implications.

Luckily, like any skill, one can practice seeing (although, as far as I know, there’s no rulebook for it). A simple exercise: next time you’re looking at something, whether the face of a rock, a subject to be photographed, or some problem in your work or professional life, take the time to look for what is truly there. Don’t let other’s opinions or your own expectations overly influence you. Ask yourself again and again, “What is there? What is there?” When you do that and do it well, answers start to present themselves.

What to do with those answers? That’s another story…

Climbing Back to the Beginning

Gym climbing scene distorted into a circle

Before you study Zen, mountains are mountains and rivers are rivers; while you are studying Zen, mountains are no longer mountains and rivers are no longer rivers; but once you have had enlightenment, mountains are once again mountains and rivers again rivers.
– Zen saying

On the first attempt, Lois tied in and climbed the blue route almost to the last hold. Somewhere near the top, she was too tired to sort out a tricky sequence and sagged back onto the rope.

“Aw, shoot!” she shouted, “I almost had it!” I lowered her to the ground.

Lois was a new climber, a woman in her 40s looking to try something different. Like most people coming to climbing for the first time, she was unsure of herself on the wall, afraid of falling, and quick to shout, “Take!” when something didn’t make sense. The route she just attempted was at the edge of her ability. As her instructor, I had recommended she try a new climb, just to see how she would do. We were both a little surprised at the result.

“Nice work up there!” I encouraged her. “Let’s rest for five minutes. You’ll get it next time.”

But when the five minutes were up, and Lois re-checked her knot and began to climb, things didn’t go so smoothly. She managed to reverse every move she had done just right the first time, steeping left foot where she should have gone right, crossing up her hands and having to match on every hold, throwing herself around awkwardly instead of using balance to stand up and reach. Whatever intuition had propelled her up the route on her first attempt was now mired in a fog of indecision. After much frustration, Lois reached the top of the wall and asked to be lowered down.

“I don’t know what happened,” she said. “Everything just felt wrong. I was trying to remember what I did the first time, and threw me off.”

Lois’ experience is not unusual. There is a funny phenomenon in climbing where your first attempt is near perfect, but your second (and third, and even fourth) are all mixed up. From what I can tell, it’s a case of your body understanding the best course of action and your brain subsequently getting in the way.

Philosophies and religions throughout history have suggested that we must seek to return to some sort of original state. In the Tao of Physics, Fritjof Capra identifies this as a central aspect of Zen: “The process of enlightenment consists merely in becoming what we already are from the beginning,” he writes.

In Ecclesiastes, the speaker writes, “God, when he made man, made him straightforward, but men invent endless subtleties of their own.”

In the Tao Te Ching, passages like this one are common:

Open yourself to the Tao,
then trust your natural responses;
and everything will fall into place.

Similarly in climbing, I believe most of us carry a certain innate understanding of movement in our bones, but that we have forgotten, or confused that understanding.

Lois, like most of my students at the climbing gym, came to me from a life spent seated: at work, at home, in the subway, in a car…. I don’t believe she had ever done anything much more physically complex than riding a bike on a paved surface or assembling Ikea furniture. In her decades of risk-averse life, she had grown afraid of heights. Any original knowledge of movement had been overwritten by a set of culturally accepted rules designed to minimize risk.

But on her first attempt on that blue route, for whatever reason, maybe because she didn’t have time to think about it, her unconscious self was able to flow freely up the wall. When she tried to remember what she had done, she created layers of anxiety and doubt that muddied the process. Her third attempt was little better than the second, the fourth a bit better still. On the fifth attempt she finally managed to climb better than the first. It took her almost an hour to return to her starting point and consciously understand what some part of her understood almost instantly.

It seems silly, but I think this kind of cycle is necessary. Intuition alone or intellect alone will only take us so far. Each person must work through long, confusing, or awkward periods of trial and error to come back to the place where he or she started. Through the course of a lifetime, we make many such circuitous journeys, on the wall and off, but it is not a case of simple repetition. When we return to our starting point after trials and tribulations, everything looks different because we have changed. We have gained a new perspective to take with us on the next climb.

Bouldering Alone

When from our better selves we have too
Been parted by the hurrying world, and
Sick of its business, of its pleasures
How gracious, how benign, is Solitude

— William Wordsworth, The Prelude

LCC_solo

For the most part, climbing is a pursuit of two or more individuals—climber and belayer is a typical arrangement—and many a word has been written about this unique relationship. Among climbers, few things are held in higher regard than the so-called brotherhood of the rope, the mutual trust and interdependence of two people whose fates are literally tied together. (On the other side of this equation, few things are less appealing than partnering with one you do not fully trust or respect, or with whom you share no natural connection or understanding. At best, such a pairing is annoying; at worst it’s dangerous.)

Bouldering is a particularly social sort of climbing. Many boulderers feed off the energy of a small crew and push higher and harder when cheered on by others. It is not uncommon for a herd of boulderers to descend on an unassuming rock, liberally pad every inch of exposed ground, flick on an iPod speaker, and commence to crack some brewskis. Such gatherings are as much about hanging out as they are about climbing, which is all well and good, but…

But bouldering is also a perfect activity for those seeking solitude, as long as you can manage to find some rock away from the crowds, which isn’t always easy. In such settings, I seek reprieve from the ceaseless piling on of responsibilities that grows only heavier as years advance. A man “must sequester and come again to himself,” writes Montaigne in his essay “Of Solitude.” For me, few things are as suited this task as a cool day among the smaller stones, the trees and sky, where the only sound of humanity is the distant passing of a car, or not even that, if I am lucky.

One short week has passed since images of the bomb-ravaged Boston Marathon and the smoking ruins of a Texas fertilizer plant filled the news. Only a few months since the Newtown school shooting. North Korea continues to posture, Guantanamo is still open, the drones are buzzing, the gun lobby screeching, half the nation cries for one thing while the other half cries for the opposite. Deaths in the family, work overflows its nine-to-five boundaries, the lawn needs mowing, the dog wants a walk… sometimes, I find, a solo mission to the boulders is as necessary as sustenance or sleep.

I drive into the canyon known as Little Cottonwood, its spring-lush slopes littered with pale granite blocks cast off from the soaring slabs above. A slow Sunday, cool and breezy, I park on the snaking road’s narrow shoulder and wander into the trees, just as two other climbers take their leave for the day.

Perfect.

I lay down my old crash pad, faded by sun and chalk dust and beaten soft by the repeated compression of falling bodies. There is no one here for me to converse with or consider. The air is free of ego or competitive spirit, of the half-urge to make a connection or ask some question.

Alone, the simple acts, typically done with haste and mind churning on some distant task, expand to fill my consciousness. Tying my laces, arranging the pad with the predicted plumb line of my fall, placing the pointed toe of my climbing shoe on a little cluster of crystalline points. Without distraction, I explore the granite texture with my fingertips and consider its implications. I begin to puzzle out these physical koans, minutely controlling seldom-used muscle groups and the position of limbs in space. Such thought just to move! But the mind can only get you so far; the body must come to its own understanding.

A quick rest. Chalk particles dance in an angled bar of sun. I taste my water, lukewarm and metallic as it rolls from the lip of this old stainless steel bottle. Thoughts traverse the space of my mind, twirling, frictionless, and disappear. I reside in each dust-laced breath like a yogi. Maybe on this day I climb better than usual. Maybe I complete the climb I’ve been working on…

Or not. Either way. In solitude, it’s easier for everything to be just right, or to be alright with everything.

But the real trick is to carry that self-contained peace of solitude back into the world of people, to hold it, undisturbed like a fragile, gem-like flame in the wind and chaos. That’s the long game, but in the meantime, a quiet wood and a fine chunk of granite to puzzle over will do.

 

 

Good Luck and Bad Luck

Good Luck / Bad Luck illustration

This weekend, I enjoyed reading Andrew Bisharat’s blog post called “The Games We Play.” Among other things, it talks about risk—in climbing, in more mundane activities like driving, and in life.

Andrew’s perspective on luck resonated with me. “It’s sometimes hard to know whether it’s working against you or actually on your side,” he writes, and then gives a series of examples to make his point. One in particular, about his alpinist friend’s knee injury potentially keeping him from a dangerous season in the mountains, read like a contemporary version of the old Chinese folk tale about a farmer and his horse

One day, the horse escaped into the hills and when the farmer’s neighbors sympathized with the old man over his bad luck, the farmer replied, ‘Bad luck? Good luck? Who knows?’ A week later, the horse returned with a herd of horses from the hills, and the neighbors congratulated the farmer on his good luck. His reply was, ‘Good luck? Bad luck? Who knows?’

Then, when the farmer’s son was attempting to tame one of the wild horses he fell off its back and broke his leg. Everyone thought that was bad luck. Not the farmer, whose only reaction was, ‘Bad luck? Good luck? Who knows?’

Some weeks later, the army marched into the village and conscripted every able-bodied youth they found. When they saw the farmer’s son with his broken leg, they let him off…

Which of these events was lucky and which was unlucky? It’s impossible to tell at the time and a waste of psychic energy to worry about it much. We create our own burdens when we curse and celebrate every event through which we pass.

This doesn’t mean we shouldn’t try hard. Work is critical—hard work doubly so—but there’s no need to see it as a burden. Instead it’s a privilege that we might try to perfect ourselves and work through the challenges life presents us.

Another example: In the late 90s, a dedicated climber named Josh was injured and had to sit out a season bouldering in the Gunks. It was an important moment for climbing in the area, relatively speaking, and Josh wouldn’t get to be a part of it. Bad luck, of course! But then Josh picked up a camera and made a video about his friends bouldering in the Gunks. The video was called Big UP, and it was the first step in what has become a very accomplished career behind the lens.

“One dream may hide another,” wrote the poet Kenneth Koch. When he was in full health, Josh’s dream of climbing might well have hidden the dream of telling climbing stories through video—a related but very different dream. His pain and injury uncovered this other dream, which perhaps was the more significant of the two.

It’s something to keep in mind the next time your project is chewing you up and spitting you off. Forego the wailing wobbler and instead consider falling as a sign that the climb still has something valuable to teach you. Therefore, the most appropriate response is to smile—because you have this chance to improve, because you’re climbing, because you’re alive at all, damnit!

Without fail, life will throw the kitchen sink at every one of us—how we see this and respond is what creates the “good” and the “bad” of it. On the one hand, this means we have much less control over our lives than we might think. On the other, we have much more control over ourselves than we care to admit.

Now is this good luck or bad luck?

Climbing Yourself

A climber climber herself

I’ve long viewed climbing as a meditation of sorts. It’s my time to focus on perfecting perfectly non-utilitarian goals. It’s all about breath and balance and giving just the right effort to hold on, not more or less. My goal is always to move with as little distinction between mind and body as possible — with what Mihaly Csikszentmihalyi called “flow.”

For insight into the relationship between physical action and meditation, I emailed my friend Thomas, a video game developer who lives in Vietnam. Thomas has practiced kung fu for 20 years, on and off, and engaged at various times in kendo, boxing, yoga, and Rinzai Zen practice. He’s climbed a bit, too. When I asked him about the use of martial arts as a way of moving towards higher states of consciousness, he recounted this anecdote:

In both [martial arts and climbing] you could perform strictly physically, or you could get in the zone and then you aren’t climbing. My Zen master had one kensho [an understanding of reality "as it is"] while fighting his kendo instructor. A clean hit stroke against his instructor, after which his instructor bowed to him. It is the only time his instructor ever acknowledged his ability. He describes the experience as ‘It hit.’

To this day in Japan, various physical arts are used as moving forms of mediation. Flower arrangement and tea ceremonies are two good examples. In such practices, the ultimate, selfless expression is described as the “artless art.”

Archery is another classic example. Zen in the Art of Archery, by the German philosopher Eugen Herrigel, is an interesting book on the topic. In the introduction, D.T. Suzuki writes that the practice of archery in Japan is “meant to train the mind … to bring it into contact with the ultimate reality.” When archery is practiced in this way, Suzuki writes, “the hitter and the hit are no longer two opposing objects, but are one reality.

Herrigel’s book documents his six years spent in Japan studying with a master archer named Kenzo Awa. Herrigel describes the long process of learning simply to draw the bamboo bow with proper form. Still more time went toward learning to release the arrow with the same mindlessness as a leaf in a rain shower tipping to release its water. One day, after years of practice, he succeeded in loosing the arrow such a way. Awa stopped and exclaimed:

“Just then ‘It’ shot.”

In such instances, a simple motion, the result of years of constant practice, becomes the physical expression of a higher understanding. Herrigel had released hundreds, if not thousands, of arrows up to that point, but never without self-consciously doing so. To a master like Awa, the difference was instantly recognizable. Likewise, it is entirely possible that my friend Thomas’ master had hit his instructor in the past, but never before had “It” hit. From the outside, the experience might seem similar, but internally there is a profound difference.

It is very common for climbers to recount such experiences. When working to piece together a climb that rides the edge of our ability, we often enter a state where the movements seem to execute themselves. Holds that once were too far or too small feel closer, larger, right beneath our fingers and toes when we need them most. We flow through the climb acutely aware yet without consciously planning our actions. The climber and the climb, like the archer and his target, finally become one reality.

“Both martial arts and rock climbing require the practitioner to push body and mind … to work as a single entity in the moment,” Thomas wrote in his email. “And any time you do that, you’re scratching at the surface of existence.”

To me, there is no greater experience on a climb.

What about you? Have you scratched the surface? Have you felt “It” climb?

The Importance of Respect

respect

The first precept of karate is that it begins and ends with a bow of respect. If you respect your opponent, you respect yourself. If you respect yourself, you respect your opponent. Similarly, one of the four principles at the heart of the Japanese tea ceremony, rooted in Zen, is Kei, or respect

I don’t physically bow to the rock before I climb, but perhaps I should start. I’m sure it would draw some funny looks, but it would also be a good reminder of what I’m doing there in the first place: looking for a challenge to help me deepen my knowledge of self and broaden my understanding of the possible.

When mountaineers speak of conquering or doing battle with a mountain or using siege tactics, they use the language of colonialism and war. They confuse the matter by implying that there is some sort of victory or ownership to be won on a peak. Words are easily disregarded as mere labels, but they influence our thoughts and our perspective even as we speak them. When a climber says he wants to “crush” or “take a dump on” a climb, it is funny in one regard, not serious. But on another level, it makes it harder to come to the climb with respect.

Ralph Waldo Emerson was a great lover of nature. He saw it as our first teacher and a mirror to the self. “Nature is the opposite of the soul, answering to it part for part,” he wrote in his oration “The American Scholar.” “One is seal, and one is print. Its beauty is the beauty of his own mind.” Climbing is an intimate interaction between human and stone — it teaches us through direct experience. Rock and body, nature and mind — all spring from the same source. When we puzzle out the lessons of the stone, we can’t help but learn something of ourselves.

Or at least, we can learn something if we approach the matter with an empty cup. When we come to a climb without respect or an interest in learning, we see nothing but a goal to be achieved. In such a state, we might wish to skip to the end by any means, as a child who moves his piece to the final square of a board game and mistakes himself the winner. We might want to announce our accomplishment or log it on a scorecard, but what we have really learned cannot be verbalized or assigned a numerical value.

I have never physically bowed to a rock, but perhaps I should start. Or at least make the bow in my mind. If nothing else, such a gesture will serve to remind me why I am here in the first place.

The Art of (Almost) Letting Go

nick_overgripping

Water is fluid, soft, and yielding. But water will wear away rock, which is rigid and cannot yield. … This is another paradox: what is soft is strong.
– Tao Te Ching

Over-gripping, in climbing parlance, means you’re expending more energy than actually needed to hold on. Usually out of fear, the climber clutches the rock with undue force, becoming tense and and burning through her strength reserves.

Despite a surfeit of effort, over-gripping makes the climber less likely to succeed. It is a case of energy misdirected.

Common wisdom has it that if you want something badly enough, if you push hard enough, you will achieve your goals in life, whatever they may be. It’s all about maximum effort, even force. I won’t dispute the importance of motivation and perseverance, but when our energy is not being directly wisely, we’re likely to run into problems. The over-gripping — or “gripped” — climber works against herself and against the very motion that will bring her most efficiently to the next hold.

“Sport climbing is the art of almost letting go,” I heard someone say once. I thought it was original sport climbing hardman Steve Hong, but when I emailed him about it, he said the phrase didn’t ring a bell. Still, he didn’t dispute the idea that applying right effort — not too little or too much — is pretty important. “When you have to do 40 moves, you have to portion it out just right. Or else,” he said in his reply. It’s how you save energy for the end crux, or the sequence you bungle and have to down-climb. Plus, climbing efficiently is good style and good fun.

A big step to holding more lightly is to overcome your fear. To move more fluidly, you can’t just change your mindset; you have to rewire the connection between your mind and your body through practice. Here are a few ways to start that process:

  • Climb more. The more time you spend up there, the less freaky exposure becomes and the more sense the safety systems will make. If you’re a normal human, you won’t banish fear altogether, but you will learn to manage it and move smoothly despite it.
  • Climb with partners you know and trust. Nuff said.
  • Run through your safety checklist prior to leaving the ground (biner locked, rope end knotted, harness tightened, knot finished, etc.).
  • Take stock of your situation before and during a climb. ID bad fall zones, the condition of fixed gear, and any other possible objective hazards, like loose rock or a hornets’ nest. Act accordingly. The goal here is to minimize surprises and avoid trouble before it starts.
  • Breathe steadily and consistently throughout the climb. When you’re tense and your core is locked, you can’t breathe smoothly. Breathing will not only help you maintain a sense of control, but it will force you loosen up.
  • Practice taking falls to relieve the tension of “What will happen if I fall here?!” (From a relatively safe position, of course! I say “relatively” because where gravity is concerned, safety is a relative term.)
  • Explore the art of almost letting go by finding a rest on your climb and then holding on more and more gently until you relax yourself right off the hold. You might be surprised how much less you can grip and still hold on. (Let your belayer know you plan to attempt this.)

One can also over-grip when it comes to goals, desires, worries, and the like. Like the physical version, mental over-gripping wastes large amounts of energy without offering any value in return. There’s a Zen story about two monks, Tanzan and Ekido, traveling on a road in the rain. They meet a girl in a silk kimono, unable to cross the muddy intersection.

“Come on, girl,” said Tanzan at once. Lifting her in his arms, he carried her over the mud.

Ekido did not speak again until that night when they reached a lodging temple. Then he no longer could restrain himself. “We monks don’t go near females,” he told Tanzan, “especially not young and lovely ones. It is dangerous. Why did you do that?”

“I left the girl there,” said Tanzan. “Are you still carrying her?”

All day long, Ekido clung to his anxiety. For Tanzan, there was no problem. He acted according to his instinct and moved on. What good was Ekido’s worry? From what I can tell, most of us carry such burdens in our minds. We play out fictitious scenarios behind our eyes, imagine consequences and tactics for dealing with our many “problems.” But, often, it’s not until we loosen our grip that we find solutions — or realize there were no real problems to start with, only interesting challenges. The next move flows naturally from a more supple position.

On a climb, the line can be fine between over-gripping and not holding tightly enough, but most of us err on the side of over-gripping because it feels safer. While we might feel safe momentarily, we’re more likely to get tunnel vision, miss good opportunities, or run out of gas at a bad time — just when we need make that next clip, for example. Learning to apply just the effort needed is a process. As we become more familiar with the ideal balance, climbing grows to feel less like a battle — with gravity, with the rock, with ourselves — and more flowing, like water over stone.

Top 10 Most Popular Posts of 2012

The_Stone_Mind_Top10

I started The Stone Mind less than a year ago, in February 2012. In some ways, it feels like I just started. In other ways, it’s like I’ve been writing it forever. At first it was just a way to keep me working with words after I left my job as a magazine editor. I wasn’t even sure what I wanted the blog to be about. I posted product reviews, photo galleries, an interview or two, personal essays, even a short story. As the months passed, things came into their own focus, and now most of my posts deal with climbing, nature (human and otherwise), and Eastern philosophy, and the many ways in which these topics connect, overlap, and inform each other.

In 2013, I plan to explore these topics further, while at the same time reserving the right to strike out in new directions — this blog, after all, is nothing if not an experiment and an act of personal passion.

Before moving ahead, however, I thought it might be nice to take a quick look back at the most popular posts of the past year. Here are the Top 10 (out of more than 100), ranked by page views. For various reasons, these are the ones that have garnered the most eyeballs. There are many other posts that are dear to me on this blog that have received only a fraction of the views. I know time and attention are the Internet’s most precious commodities, but if you like any of the posts listed below, you might consider taking a moment to poke around in the archives, too. Either way, I hope you find something that interests you.

As always, thanks for reading.

–The Blockhead Lord

Top 10 of 2012

  1. How to Spot a Climber in the Wild
  2. Couch Crushers to Widgeteers: 10 Climbing Personality Types Identified
  3. It’s Not Cool To Care
  4. Can You Cold-Brew Coffee With A French Press?
  5. From Chalk to Salve: Crap Climbers Put on Their Hands
  6. 50 Shades of Plaid: The Unofficial Uniform of Outdoor Retailer*
  7. Seven Deadly Sprays
  8. The Rotpunkt Method
  9. RIP Urban Climber Magazine
  10. Master of Movement or: Why Bear Grylls Is Running Through the Desert

*This “50 Shades of Plaid” ranking does not include the tens of thousands of page views if you add up all the separate images in the gallery — with those it would easily be the top post!

Now Year’s Resolution

The view from a narrow part of the Angel's Landing trail, Zion National Park

Dec. 30, 2012 – My wife Kristin tells me how much fun she’s having. We’re out bouldering in the lunar basin of Moe’s Valley in St. George, Utah, and she’s not even climbing — just hanging out and offering moral support, which I think is damned decent of her.

“I like to get away from home … from our day-to-day life,” she explains. “I feel like I can actually see you now, without all the anxiety about work and schedules and things we have to do.”

I feel the same way. We see each other differently out here, surrounded by nothing but dirt and rocks and sky. It reminds me of those early days of our relationship, when there was still so much we didn’t know or assume about each other. We were experiencing “beginner’s mind” — that state of being where everything is new, even if you’ve seen it a million times, as Kristin and I have seen each other.

In one popular Zen story, a teacher pours tea into a student’s cup until it overflows and spills out across the ground. The student jumps back, surprised, and asks the teacher what he’s doing.

“Like this cup, you are full of your own opinions and speculations,” the teacher answers. “How can I show you Zen unless you first empty your cup?”

Travel can help empty one’s cup, as it did in Moe’s Valley for Kristin and me. I also think it’s a grand goal to be always working to empty your cup.

Most folks take the turning of the year as a time to reflect on milestones and accomplishments, to set goals and make resolutions. Indeed, the month of January is named for Janus, an ancient Roman god with two faces, one looking towards the past and the other to the future. Personally, rather than looking behind or ahead, I like to think of the new year’s transition as a great time to start living precisely in the center, in the eternal Now.

The day after our trip to Moe’s Valley, Kristin and I headed to Zion National Park, about 40 miles northeast of St. George. We wanted to hike to Angel’s Landing, even though we’d heard it could be  sketchy this time of year. In the visitor’s center, a woman told a group of tourists, “Oh yes, Angel’s Landing: people fall to their deaths on that hike all the time!” Which seemed a little alarmist to me. We decided to go anyway.

The hike was mellower than we had expected, not too steep and well-paved most of the way. Towards the end, we donned Microspikes — little chain-and-spike slip-ons that give your hiking boots great traction on ice and snow. We clambered up some steep sections of snow-frosted stone secured with chain handrails. The going got a little hinky, so Kristin hung back on a flat platform under a dead tree where a California condor the size of a small child hunched silently in the sun. I went ahead a ways to see what the terrain was like.

I headed out across a narrow bridge of stone, maybe two feet across. The ground dropped away hundreds, maybe a thousand, feet on either side. Striated red walls reared up again in the distance, forming towers and walls and arêtes. A meager river meandered through the valley to my left. I felt the wide-open void pulling at me. I let the moment radiate out from me and back into me. My thoughts tumbled into space, melting into air as they fell. My cup was empty.

In his essay “Zen and the Problem of Control,” philosopher Alan Watts writes “When the will is struggling with itself and in conflict with itself it is paralyzed, like a person trying to walk in two different directions at once.” It is tempting to look ahead and back, not just at year’s end, but all the time. We see the world in terms of past and potential actions. We’re constantly writing and rewriting the narrative of who we are and what we might be, all the while judging ourselves against this fictional character. I do it. We all do it.

We can reach specific goals through this process, but we can also lose track of the more important things that underlie those goals. We think, If I can just lose weight, or climb a certain route, or make more money, then I will have succeeded! Those are all fine things, but really what we’re after is to feel more like what Watts describes as a person “all of a piece with himself and with the natural world.” We assume we know the path that will make that happen, but for many reasons — because we’re trying to walk in two directions at once, perhaps — it’s easy to misdirect our energies.

Our resolutions may or may not move us towards a sense of deeper satisfaction, but I’d like to take this symbolic entering of a new year as a reminder, like the ringing of a bell in a Zen ceremony, to start this moment with an empty cup. As for the next moment, I’ll deal with that when I come to it.

Things Change

Family panaorama

December 15, 2012 – My aunt Carol sits next to my grandpa Frank at the long, burnished wood dining table in the private dining room of the assisted living center in Fountain Hills, Arizona. Carafes of water and iced tea are arranged up and down the table. Out the picture window on the far wall, the town’s eponymous geyser-like fountain erupts to mark the hour, a 560-foot-tall, wind-blown feather pluming in the arid winter air.

“Those are nice pants, dad,” Carol says. “I haven’t seen those before.” My grandpa, 92, turns his head a few degrees, an indication that his attention has shifted from inner space to his youngest daughter, now grown with three kids of her own. He looks ready to say something. The room — containing my grandparents, my mother, my aunt and two of her children, and my wife and I — pauses to listen.

My grandpa, a decorated WWII fighter pilot, for as long as I can remember has been a quiet man, pleasantly reserved, slim, straight-backed, clean-shaven, early to rise — his military training even now remains tightly woven into the nooks of his personality. He often wears a paper boy cap, harkening maybe to his Scottish roots, and a wool cardigan over a collared shirt. Were he 70 years younger, his wardrobe would let him blend easily with a certain type of hipster crowd.

When I was growing up, almost every time I called my grandparents, my grandpa and I played out the same, brief conversation:

“Hi Justin! How’s Justin?” he’d say. I’d tell him a little bit about my life, and because I lived in Manhattan through most of my twenties, he’d remind me that he once worked there. He used to get up early and take the train in from New Jersey, riding an elevator up to some high floor with a view of the city. I could tell that feeling really stuck with him, of being up above the dozing metropolis at first light, like having a whole world to himself. After about two minutes, there’d be a pause, then he’d say, “Well that’s fine! You’re fine and we’re fine; we’re all fine!” Short and sweet.

He didn’t talk so much, and I, on the other hand, talked too much. Still, as I grow older, I start to look at myself and at my grandpa and think about the role his genes play in me. I also love the city in the early morning. I also love to be up above the world, looking down.

I remember a story my grandpa told me once about landing his P-47 Thunderbolt speckled with bullet holes. I don’t even know what country he was over at the time, but the cool required to fly straight into a dogfight two miles above the earth is something I can hardly imagine. Then again, maybe it’s similar to the way people see the climber — a human speck on the face of a huge cliff, suspended by gossamer thread. Maybe it’s a similar arrangement of neurons and blend of bio-chemicals that lets a person find strange peace and fulfillment at great heights, while skirting the margins between life and death.

Frank King

*   *   *

“Those are nice pants, dad,” Carol says. “I haven’t seen those before.” And my grandpa’s gaze shifts, as if he had been looking down on us all from great a height. He’s here again, on the ground with us, or almost. He processes my aunt’s comment and makes a simple statement so Zen that the three generations of family in the room can’t help but laugh.

“Well,” he replies with a light smile, “things change.” Then he returns to his grilled cheese and tater tots.

That’s all he’ll say for the remainder of the meal. After lunch, I help wheel my grandmother back to their apartment down the hall. My grandfather follows behind with his walker. The family stands around and chats in the apartment for a while, my grandmother lively despite having weathered several strokes that make it difficult for her to express herself through language.

Grandpa looks a little tired, so my mom goes over and says, “It’s OK, dad, you can take a nap.” He shifts his attention towards her and says, “Oh, OK. Thank you,” and then leans to one side on the sofa and quickly drifts to sleep, a smile on his face. It could be a symptom of his particular brand of dementia, but I’d swear he’s made some sort of peace with the changes that are slowly but surely whelming over him and his wife and everything he’s known in his long life on this tiny blue speck.

I was raised without any particular religious belief. Around the winter holiday season when I was young, we read Bible stories and Zen stories alike. We had a Christmas tree and also a menorah. More than anything, my parents and I used the time as an excuse to just be together, to take a break from the chronic business that afflicts most working people in the modern world and remember the more profound pillars of a human life — love, honesty, sharing, togetherness, thankfulness … the simple, if not a little sappy, stuff at the heart of most Christmas movies. My wife and I are partaking in this fine holiday tradition as I write this.

Our visit to see my grandparents, though not on Christmas proper, was in keeping with this theme. Just a sharing of time and place, a simple show of love and appreciation that’s all too easy to put off when schedules are full and family scattered across time zones. Regardless of how many words are exchanged, this is the most valuable thing any of us can give each other. All the more because things change.