Category Archives: Nature

Walking on Lava: A Pedestrian Lesson from Hawaii

Lava field on the Big Island of Hawaii

Take the helicopter tour, one friend suggested. You can hire a boat that takes you right up to where the lava meets the sea, someone else offered. But when the guy at the hotel info desk mentioned a walking tour to see the Mauna Loa lava flows in Kalapana, on the Big Island of Hawaii, my wife and I decided immediately and in unison that was the way for us.

We signed up for the tour and drove the Saddle Road to the town of Hilo, on the other side of the island (walking this leg of the journey would have taken days — a little long for this trip). We ascended nearly 7,000 feet on the drive, passing over the southern flank of Mauna Kea, the tallest mountain in the world provided you measure from its base on the sea floor, and through several different climate zones along the way.

In rainy Hilo, we met our tour guide, a young blond girl from Massachusetts who’d just graduated from the University of Hawaii with a degree in volcanology. We were the only two on the tour that day. We followed our guide to the lava viewing area just outside of Volcano National Park, parked our cars, and started to walk.

Walking is by definition a human-scale endeavor, measured in footsteps. ”All truly great thoughts are conceived by walking,” Nietzsche said, and maybe there’s something to this. I certainly use walking to clear my head when things get too crowded up there. Thomas Jefferson praised walking as a key to good health for the body and the mind. A slow amble puts us down in the landscape, on intimate terms with the real cost of getting from here to there. On foot, we get to experience the fine textures and details of a journey.

We crossed the expansive lava fields, our shoe soles the only barrier between skin and blasted black landscape. We trod on the cracked and crazed mounds of lava rock, wove in an out of big broken domes called tumuli, crunched over the fragile folds of ropy pahoehoe. The trek offered a sense of what the beginning — or maybe the end — of the world might look like.

Our guide stopped and knelt carefully. The ground was mostly silica, and can cut with a touch. She pinched what looked like a fine, straw-colored hair between thumb and forefinger.

“Have you heard of Pele’s hair?” she asked, handing me the fragile strand. “It’s lava that gets spun out by the wind and cooled into a thread… Who knew Pele was a blond?”

Three miles over this terrain and we felt it in our legs and ankles. Each step landed on a different texture or angle. In the distance, a plume of pure white steam rose from the lava entry at the water’s edge. We walked by homes and vehicles that had become embedded in the lava flows. Studded with little bursts of red flower, an ohia tree 10 feet tall stood as a measuring stick to the decades since the lava had passed that spot.

An hour and a half into the hike, we came to the sea cliffs. Here, molten stone broke through a burnt veneer and globbed into the foamy, chaotic surf, generating steam billows that rose up and black sand particles that filtered down.

“There aren’t many places you can see new land being created like this,” our tour guide said with a geologist’s indefatigable reverence.

Nearby, we found a fresh “toe” of lava that had broken through its crusty containment and bulged up and out, folding over onto itself repeatedly, like glowing red layers of hot fudge. It quickly cooled and sealed over, only to break through again. We poked it with long sticks, which burst into flame on contact. Our shoe rubber grew soft.

On the way out, it started raining, offering a welcome coolness. The sun set behind the shoulder of Mauna Loa and we clicked on our headlamps. Certainly, the different perspectives of a boat or a helicopter would have been interesting, more cinematic maybe, but we already observe so much of our world through screens and windows. Better, we thought, to go face to face with the lava fields — slow, with effort, scorched and soaked and awed by the primordial beauty of it all.

Walking is not the fastest way or the easiest way to do just about anything. Humans have invented countless modes of conveyance to spare ourselves from the drudgery of conducting our many chores and journeys on foot. But in this age of acceleration and expediency, walking remains important. It gives us a chance to think or, if walking with another, to discuss, unhurried by the relentless ticking of The Clock.

We returned to our cars in the drizzling darkness, dreading the drudgery of the slow, winding drive back across the island, but happy that we’d chosen to go by foot. Walking is a great reminder that the journey is, at the very least, as important as the destination… If there even is such a thing as a destination, after all.

 

Climbers of the Animal Kingdom

Baby squirrel climbing concrete wall

We humans sure like to make a big deal out of our climbing feats. But anyone who’s spent much time on the rocks knows that nature has produced all manner of creature that excel at high-angle maneuverings in a way we clumsy Homo sapiens sapiens could only dream. Here’s a collection of 10 such variations from Mother Nature’s menagerie, all of which utilize unique and often strange modes of vertical locomotion.

Baboons


Like most primates, baboons are excellent tree climbers. But did you know they also climb rocks? And because they’re built a lot like humans, they look like us when they climb, too. Aside from a killer strength-to-weight ratio, baboons benefit from long tails they can fling around for balance, and prehensile toes that can grasp the rock as ably as fingers. Baboons dig congregating on sheer cliff faces because it keeps them pretty well beyond the reach of natural predators, like leopards and cheetahs.

Geckos


These radass lizards have been the subject of endless scientific study due to their ability to calmly stroll up even the smoothest surfaces — glass, for example. They achieve this sweet trick thanks to their hairy feet. Not quite as gross as it sounds, geckos use superfine hairs called setae to adhere via van der Waals forces (which attract molecules to each other) to pretty much any surface. Adhesives have since been created that steal a page from the gecko’s playbook, and we will no doubt soon have climbing shoes coated with setae. Which would be totally cheating.

Sloths


Sure, they’re a little pokey, but what the sloth lacks in speed, it makes up for in efficiency. Sloths have long hook-like claws they use to dangle from the tree branches they call home. If you were to ask a sloth for climbing advice, he would probably say, “Simple. Don’t let go.” That’s advice these shaggy, muppet-looking creatures really take to heart — so tenacious is their grip, they’ve been observed to remain suspended in a tree even after they die.

Squirrels


We’ve all seen squirrels blast up a tree at warp speed, but did you know they can also climb a blank concrete wall? I wouldn’t have believed it if I hadn’t seen it myself, when a baby squirrel in Colorado fell from a tree and then scampered for the nearest wall to climb away from danger. Squirrels’ sharp, hook-like claws, coupled with a highly mobile ankle that allows them to rotate their rear feet around backwards, lets them hang from and climb a variety of surfaces. In the case of the baby squirrel I saw, tiny air-bubble pockets in the concrete were just right for claw placements.

Snakes


Like squirrels, the fact that snakes can climb trees is no big deal. But, troublingly, they can also climb other vertical surfaces — brick walls, for example. Researchers have found that snakes use what’s called a “concertina” mode of locomotion, in which some regions of the body stop and grip while others extend forward, to climb. Snakes not only have amazing flexibility (due to their hundreds of vertebrae) and muscle control, but they can also extend tough scales on their underside for increased grip.

Mountain Goats


Perhaps you’ve seen this photo, showing a bunch of goats (mountain ibex, specifically) chillin’ on the wall of a dam in Italy like it’s a nice place for a nap. Aside from a Honnoldian head for free soloing, many goats also have feet custom-made for vertical exploits. This passage from Douglass Chadwick’s book, A Beast the Color of Winter, describes the mountain goat’s special climbing footwear: “The sides of a mountain goat’s toes consist of the same hard keratin found on the hoof of a horse or deer. Each of the two wrap around toenails can be used to catch and hold to a crack or tiny knob of rock…The mountain goat is shod with a special traction pad which protrudes slightly past the nail. This pad has a rough textured surface that provides a considerable amount of extra friction on smooth rock and ice.” The list of all-terrain features goes on…  Five Ten take note…

Crabs


Wait. What? That’s right, crabs can climb — or at least one kind can: the coconut crab, which is an arthropod related to the hermit crab and is found across the islands of the Indian Ocean and parts of the Pacific. (FYI, the coconut crab can grow to be almost ten pounds and three feet across.) These fruit- and vegetable-loving critters will actually climb trees using their long, spiny legs and grab coconuts, which they then smash open using their powerful claws and eat.

Cats


As we all know, cat videos are the heart and soul of the Internet, so it was easy to find videos of cats climbing things. Still, it’s impressive that cats have so thoroughly honed their face and arête climbing techniques. Cats big and small rely on tactics similar to that of the squirrel — i.e., sharp claws and an awesome kinetic sense — to scale trees and manmade structures alike. I’d bet a can of Fancy Feast maneuvers like those shown in this video are the root of the term “cat burglar.”

Spiders


Like geckos, spiders legs are studded with microscopic hairs which, scientists postulate, allows them to stick to walls via electrostatic attraction (the afore-mentioned van der Waals forces). Spiders and most insects also sport tiny tarsal claws that can grip the minute texture of surfaces that, to our eyes, appear smooth. Hence their ability to hang upside-down on the ceiling and then drop on you. Which is totally creepy. In fact, I think I feel a tickle on my neck right now…

Snails


Lubricated with a mucus layer secreted by a gland near the mouth, snails are able to glide, albeit slowly, on a layer of slime. This terrestrial gastropod mollusk’s flat underside undulates in a wave-like motion to propel it forward. Its slimy excretions, combined with a smooth, flat base, creates a powerful suction, allowing snails to climb walls, trees, etc. This method of climbing, although effective, is undoubtedly the grossest method, and it really louses things up for other creatures who might want to climb afterward, like that super sweaty guy in the gym.

Connecting the Dots: Climbing and the Creation of Meaning

Rat Rock in Central Park. Photo: © Andy Outis - andyoutis.com

Rat Rock in Central Park. Photo: © Andy Outis – andyoutis.com

White chalk patches speckle the dark grey schist of Rat Rock. Sunlight streaming through the leaves layers another pattern on top of the first. Horns honking, jackhammers chattering, radios squawking, passersby conversing, cyclists chirring, flocks of pigeons exploding into flight… Central Park can be chaotic.

But on Rat Rock, a block of stone the approximate size and shape of a single-family home that’s been partially squashed, I met a middle-aged Japanese guy named Yuki who slowly but surely worked to create order on the boulder’s surface.

I first encountered Yuki in the late 1990s, when I was a college student at NYU. On my early visits to Rat Rock, he was there: wiry and hollow-chested, forearms snaked with muscle. He had short-cropped black hair and a stout mustache and wore a T-shirt, slacks, and an old pair of black and green Boreal rock shoes to climb.

Smooth and choreographed, he climbed as if performing a vertical Tai Chi. Every move was perfectly calibrated for balance, so he could reach from one tiny edge to the next without having to jump or swing or snatch. He was quiet and unobtrusive, but if prompted, Yuki would offer sage snippets of climbing wisdom to the young, graceless climbers like me as we yanked on the holds like we wanted to take them home as souvenirs.

“Center your hips. Pull more with your toes. Hold less but reach farther.”

So thoroughly had Yuki explored the possibilities of Rat Rock that he eventually took to climbing in patterns, geometric shapes. One day, he suggested I join him in this new challenge.

“Try to climb in circles.” He said, and proceeded to show me a path of concentric rings he’d discerned connecting the chalky dots. First a tight circle in the center of the face, then a larger circle encompassing that, and a larger one still, never touching the ground. I tried, but found myself unmotivated. Yuki’s circles seemed overly contrived, and the lack of a grade probably made them less appealing, too. But now, more than a decade later, they make more sense to me.

Climbing a rock is undeniably arbitrary. When we set our sites on a mountain or a piece of stone, we overlay logic onto something random. We see the potential for movement, for a challenge, but the surfaces themselves are meaningless. The climb exists only at the intersection of stone, body, and mind — not in any of these alone.

The universe is chaotic and is growing ever more so (see: the second law of thermodynamics) – this chaos has shaped our brains, trained them to hunt for order and patterns as a means of survival. It’s how we learned to predict the motions of the bison across the plains and how best to hunt them. Perhaps it is even the same reason we painted the bison’s likeness on the walls of caves. It’s why we see familiar objects in the shapes of clouds and human faces in the knotty grain of a wooden fence. It’s why we name the world and map it. Why we make music and formulate equations. The act of ordering offers a comforting sense of understanding and control.

“Through art, create order out of the chaos of living,” Lawrence Ferlinghetti wrote. Like art, climbing is an act of creation. Through climbing, create order out of the chaos of stone.

Top 10 Most Popular Posts of 2012

The_Stone_Mind_Top10

I started The Stone Mind less than a year ago, in February 2012. In some ways, it feels like I just started. In other ways, it’s like I’ve been writing it forever. At first it was just a way to keep me working with words after I left my job as a magazine editor. I wasn’t even sure what I wanted the blog to be about. I posted product reviews, photo galleries, an interview or two, personal essays, even a short story. As the months passed, things came into their own focus, and now most of my posts deal with climbing, nature (human and otherwise), and Eastern philosophy, and the many ways in which these topics connect, overlap, and inform each other.

In 2013, I plan to explore these topics further, while at the same time reserving the right to strike out in new directions — this blog, after all, is nothing if not an experiment and an act of personal passion.

Before moving ahead, however, I thought it might be nice to take a quick look back at the most popular posts of the past year. Here are the Top 10 (out of more than 100), ranked by page views. For various reasons, these are the ones that have garnered the most eyeballs. There are many other posts that are dear to me on this blog that have received only a fraction of the views. I know time and attention are the Internet’s most precious commodities, but if you like any of the posts listed below, you might consider taking a moment to poke around in the archives, too. Either way, I hope you find something that interests you.

As always, thanks for reading.

–The Blockhead Lord

Top 10 of 2012

  1. How to Spot a Climber in the Wild
  2. Couch Crushers to Widgeteers: 10 Climbing Personality Types Identified
  3. It’s Not Cool To Care
  4. Can You Cold-Brew Coffee With A French Press?
  5. From Chalk to Salve: Crap Climbers Put on Their Hands
  6. 50 Shades of Plaid: The Unofficial Uniform of Outdoor Retailer*
  7. Seven Deadly Sprays
  8. The Rotpunkt Method
  9. RIP Urban Climber Magazine
  10. Master of Movement or: Why Bear Grylls Is Running Through the Desert

*This “50 Shades of Plaid” ranking does not include the tens of thousands of page views if you add up all the separate images in the gallery — with those it would easily be the top post!

Now Year’s Resolution

The view from a narrow part of the Angel's Landing trail, Zion National Park

Dec. 30, 2012 – My wife Kristin tells me how much fun she’s having. We’re out bouldering in the lunar basin of Moe’s Valley in St. George, Utah, and she’s not even climbing — just hanging out and offering moral support, which I think is damned decent of her.

“I like to get away from home … from our day-to-day life,” she explains. “I feel like I can actually see you now, without all the anxiety about work and schedules and things we have to do.”

I feel the same way. We see each other differently out here, surrounded by nothing but dirt and rocks and sky. It reminds me of those early days of our relationship, when there was still so much we didn’t know or assume about each other. We were experiencing “beginner’s mind” — that state of being where everything is new, even if you’ve seen it a million times, as Kristin and I have seen each other.

In one popular Zen story, a teacher pours tea into a student’s cup until it overflows and spills out across the ground. The student jumps back, surprised, and asks the teacher what he’s doing.

“Like this cup, you are full of your own opinions and speculations,” the teacher answers. “How can I show you Zen unless you first empty your cup?”

Travel can help empty one’s cup, as it did in Moe’s Valley for Kristin and me. I also think it’s a grand goal to be always working to empty your cup.

Most folks take the turning of the year as a time to reflect on milestones and accomplishments, to set goals and make resolutions. Indeed, the month of January is named for Janus, an ancient Roman god with two faces, one looking towards the past and the other to the future. Personally, rather than looking behind or ahead, I like to think of the new year’s transition as a great time to start living precisely in the center, in the eternal Now.

The day after our trip to Moe’s Valley, Kristin and I headed to Zion National Park, about 40 miles northeast of St. George. We wanted to hike to Angel’s Landing, even though we’d heard it could be  sketchy this time of year. In the visitor’s center, a woman told a group of tourists, “Oh yes, Angel’s Landing: people fall to their deaths on that hike all the time!” Which seemed a little alarmist to me. We decided to go anyway.

The hike was mellower than we had expected, not too steep and well-paved most of the way. Towards the end, we donned Microspikes — little chain-and-spike slip-ons that give your hiking boots great traction on ice and snow. We clambered up some steep sections of snow-frosted stone secured with chain handrails. The going got a little hinky, so Kristin hung back on a flat platform under a dead tree where a California condor the size of a small child hunched silently in the sun. I went ahead a ways to see what the terrain was like.

I headed out across a narrow bridge of stone, maybe two feet across. The ground dropped away hundreds, maybe a thousand, feet on either side. Striated red walls reared up again in the distance, forming towers and walls and arêtes. A meager river meandered through the valley to my left. I felt the wide-open void pulling at me. I let the moment radiate out from me and back into me. My thoughts tumbled into space, melting into air as they fell. My cup was empty.

In his essay “Zen and the Problem of Control,” philosopher Alan Watts writes “When the will is struggling with itself and in conflict with itself it is paralyzed, like a person trying to walk in two different directions at once.” It is tempting to look ahead and back, not just at year’s end, but all the time. We see the world in terms of past and potential actions. We’re constantly writing and rewriting the narrative of who we are and what we might be, all the while judging ourselves against this fictional character. I do it. We all do it.

We can reach specific goals through this process, but we can also lose track of the more important things that underlie those goals. We think, If I can just lose weight, or climb a certain route, or make more money, then I will have succeeded! Those are all fine things, but really what we’re after is to feel more like what Watts describes as a person “all of a piece with himself and with the natural world.” We assume we know the path that will make that happen, but for many reasons — because we’re trying to walk in two directions at once, perhaps — it’s easy to misdirect our energies.

Our resolutions may or may not move us towards a sense of deeper satisfaction, but I’d like to take this symbolic entering of a new year as a reminder, like the ringing of a bell in a Zen ceremony, to start this moment with an empty cup. As for the next moment, I’ll deal with that when I come to it.

A Moon for Halloween

Moon and Tree - photo: © Justin Roth

 

The night before last, I was standing in an empty field just as the full moon rose through the branches of a tree. I took this picture. A grand, pale orange form as it mounted the horizon, the moon appeared to shrink smaller and smaller as it rose, until it hung like a bare bulb in the sky above us. The sight conjured a Zen story from Zen Flesh Zen Bones, by Paul Reps and Nyogen Senzaki. The lesson, as always, is one of perspective:

The Moon Cannot Be Stolen

Ryokan, a Zen master, lived the simplest kind of life in a little hut at the foot of a mountain. One evening a thief visited the hut only to discover there was nothing in it to steal.

Ryokan returned and caught him. “You may have come a long way to visit me,” he told the prowler, “and you shoud not return emptyhanded. Please take my clothes as a gift.”

The thief was bewildered. He took the clothes and slunk away.

Ryokan sat naked, watching the moon. “Poor fellow, ” he mused, “I wish I could give him this beautiful moon.”

Happy Halloween…

- The Blockhead Lord

The Language of Stars

Boulders and stars, Triassic, UT.

If the stars should appear but one night every thousand years how man would marvel and stare.
- Ralph Waldo Emerson

This Friday I turned 34. Other than that fact that the first and second digits are consecutive, it was not a particularly significant birthday. Rather than throw a party in honor of the occasion, Kristin and I packed our trusty Honda Element and headed south and east of Salt Lake City, to a bouldering spot called Triassic, which feels every bit as prehistoric as the name would imply.

Located between the rural town of Elmo (pop. 368) and the Cleveland-Lloyd Dinosaur Quarry, site of “the densest concentration of Jurassic-aged dinosaur bones ever found,” Triassic is a desert sandstone bouldering area comprised of a few caches of rock in what was once an ancient seabed. The feeling one gets in this desolately beautiful spot is one of timelessness, as if a herd of Allosaurus fragilis might at any moment come lumbering over the crest of a hill.

Triassic: the land that time forgot

Although the environs at first appear lifeless, an attentive eye will pick out the movement of many a creature — little rock-crawling lizards, chipmunks, jack rabbits, and even antelope — all camouflaged in the dusty tones of the landscape. Humans tend to be the least represented creatures in Triassic. Which is half the reason why Kristin and I chose the spot in the first place. We went there to climb, but also to spend the night isolated in a more wild setting, enjoy a celebratory drink in front of a camp fire, and, among my favorite pastimes in nature, stargaze.

That night, the stars were out in their full regalia. By 11pm, the sun was long gone, the moon had not yet crested the horizon, and all the constellations were razor-sharp and twinkling. Through the middle of the sky was a broad swath of diffuse light, the combined glow of billions of stars forming the spiral-armed Milky Way, seen from on edge like a cosmic Frisbee hurtling towards us.

Communing with the campfire

Dinosaur fossils, the pictographs of ancient civilizations, great geologic landscapes like the Grand Canyon or the Himalaya, the open ocean — all of these are magical to behold, but nothing puts a person in his or her tiny, insignificant place quite like a full-blown sky full of stars, viewed on a clear cold desert night.

To each observer, the vast starscape becomes a celestial Rorschach test. What we see in the unfathomable vastness is a testament to what our hearts most want to see. St. Thomas Aquinas said, “How is it they live in such harmony the billions of stars – when most men can barely go a minute without declaring war in their minds about someone they know.” To him, stars were an example from God of how humans can better carry out their lives. Marcus Aurelius saw them as exemplary of a realm above and beyond petty human concerns: “Look round at the courses of the stars, as if thou wert going along with them; and constantly consider the changes of the elements into one another; for such thoughts purge away the filth of the terrene life.” Van Gogh said simply “The sight of the stars makes me dream.”

Basic view of the Milky Way

To me, the stars serve as proof that we’re the center of nothing in particular, and that our actions leave not a scratch on the broad side of the universe. In the Zen tradition, they remind me to take “serious” things more lightly, and “small” things more seriously, and remember that our only legacy is the example we set in this life, and our ultimate return to the elemental star dust of which we’re made.

The next morning when we woke, the stars had once again disappeared behind the blue veil of the sky. We approached the day with no particular goal in mind. Alone, in the desert, with some water and a few crash pads, we set off walking to see what we could see. But the stars had left their faint impression in our minds and, at least for a little while, we would follow their example.

Photo Friday: Living Creatures

As an aspiring photographer, science and nature lover, and generally curious fellow, I find few things more fascinating and aesthetic than the forms of living creatures. They are at once alien and familiar. A strange mirror, they show us something of ourselves we are quick to forget.

Look at the frog, with its smooth, glistening folds of skin — can you not see some obtuse hint at our own origins? Look at the long muscles of its leg, not so unlike our own quadriceps. Look at the bulge of the belly, the short, chubby forelimbs; do they not remind of that rotund man at the gas station with his tight watchband and straining shirt? Regard the wide-set eyes and broad mouth; are they really so different from ours? View a frog from head on, add a jaunty hat and a pair of spectacles and what do you have? The gent you passed on the street the other day, grinning with a distant look in his eye.

The deer, the grasshopper, the squirrel, the snail, the giraffe… they are our not our charges; they are our brethren. They eat, mate, seek shelter from the elements and from predators. Had they only the words, can you imagine they would express sentiments so different from our own? But as they cannot speak, the best we can do is observe them closely and learn the lessens their ancestors have been teaching our ancestors for time immemorial.

A frog at a birthday party in New York.

A frog at a birthday party in New York.

Male deer in suburban Boulder, Colorado.

Male deer in suburban Boulder, Colorado.

A grasshopper in my yard in Salt Lake City, Utah.

A grasshopper in my yard in Salt Lake City, Utah.

A mother squirrel looking for her baby, who fell from a tree in suburban Boulder, Colorado.

A mother squirrel looking for her baby, who fell from a tree in suburban Boulder, Colorado.

A snail on my dinner plate, or Ce n'est pas dîner.

A snail on my dinner plate, or Ce n’est pas dîner.

A giraffe in the Denver Zoo.

A giraffe in the Denver Zoo.

The Doodanglies of Spring

I’m walking my blue heeler, Bodhi, through the serene grass and pavement matrix of our Salt Lake City suburb, when some creature issues a short, high cry from up above. It’s a mysterious call that could well have come from some denizen of a distant, cacophonous rainforest, but here it is a lone, wild voice against the ticking and hissing of sprinklers and the lawnmower’s drone.

I’ve heard this vocalization before and know what it means. I scan my surroundings and within seconds I spot them: a family of California quail, teardrop shaped puffs of grey strutting around in someone’s front yard, pecking the ground in search of seeds and shoots. My fiancée has given these beautiful birds, with their scale-patterned feathers, rust-brown caps, and white-limned black faces, the name “doodangly” birds, after their flapper-era black head plumes that wiggle with every step. It’s now the only way I refer them in conversation, leading to much confusion.

The family — a mother and six chicks — putters onto the sidewalk just as their high lookout, perched on a roof peak a few houses down, detects my presence and issues his warning. They hasten into a single-file formation and hightail it away from me, legs swinging in a blur, road-runner style. Doodanglies almost never fly unless startled at close distance. They opt instead for more pedestrian means of locomotion and can move surprisingly fast over open terrain.

The family ducks into a driveway and behind a little rise of grass. I stand and watch, waiting to see if they’ll reemerge, and they do. I’ve noticed that these strange little terrestrial birds are seldom dissuaded from their course. They scramble whenever a human, cat, or car comes too close, but soon, with caution, pluck back towards their original course. Like pigeons and doves, they are well adapted to the grid-paved wilderness of the burbs.

Every spring, the doodanglies begin to show themselves in the Salt Lake valley. They are my favorite local nature sprites, embodiments of some ancient energy that humans have been endeavoring to bury in layers of concrete, glass, and metal for the past hundred-odd years. The doodanglies appear first in pairs, but soon in families. Their chicks are precocial, meaning they’re ready to roll straight out of the shell. Still, the parentals shepherd them closely when they’re on the move. It is common quail practice to have one scout posted up on a fencepost or tree branch, watching for threats like Bodhi and me. Of course, we’re not really a threat (or at least, I’m not), but they don’t give us the benefit of the doubt, and I don’t blame them.

If I’m lucky, I’ll make doodangly sightings every day, when I’m out walking my dog or running. Their simple, wild presence in the spaces between our houses and our cars, like that of the baroque, green-armored grasshopper or the flashing, iridescent hummingbird, reminds me of the way the world once was, and still is in our ever-shrinking preserves of  natural places. It reminds me that no matter how far “above” nature we try to arrange ourselves, we are and always will be a part of it. As Emerson says in his essay “Nature,” “The greatest delight which the fields and woods minister is the suggestion of an occult relation between man and the vegetable.” He could just as well have said  ”man and the birds.” It reminds me that we humans, the rich and the poor among us, must make a life for ourselves one day, one year at a time, just like the doodanglies, plucking towards the future powered by an innate stubbornness that I can only see as nature’s beautiful, irrational argument against the chaos of the universe.