Behold, a new entry on the list of rad shooting rigs allowing climbing videographers to capture the vertical (or beyond-vertical) act in ways they could never quite capture it before.
The Sea to Sky Cable Cam is a portable camera rig that allows a video camera to travel up and down on rope tracks while an operator controls tilting and panning with a remote control. The Sea to Sky crew has used rigs of this sort to shoot a variety of action sports. Most recently, as you can see in the video below, to follow Sasha DiGiulian up Era Vella a 9a/5.14d in Margalef, Spain. (Unconfirmed: “Era vella” means “old threshing floor” in Catalan, according to one poster on Climbing Narc.)
Big Up Productions worked closely with Matt Maddaloni of Sea to Sky to develop the climbing-specific rig used to shoot this footage, which will be edited into one of the videos of the upcoming Reel Rock Film Tour.
This isn’t a new invention. The NFL, for example, has been using Skycams for years, but it is an early use in the climbing world. And, of course, due to the hard-to-access nature of rock climbs, it is a welcome addition, allowing for some very smooth, otherworldly perspectives on the act of climbing.
In the past, says Josh Lowell of Big Up Productions, his team has used pulley systems to haul a camera operator up overhanging walls, meanwhile dreaming of an unmanned system that could be operated remotely. So Big Up brought Maddaloni out to Spain to help shoot DiGiulian, and also Chris Sharma and Adam Ondra, who were working a 5.15c project in Oliana together. “It took a lot of experimenting to figure out what worked and what didn’t work,” says Lowell, but he’s enthusiastic about the footage, describing it as “long, continuous, single shots of the best climbers in the world trying the hardest route in the world … the camera silently tracking along with them the whole way.” Sounds good.
Not long ago, I wrote about the use of helicopter drone rigs to produce similar birds-eye shots. We can only assume that as climbing grows, along with demand for high-production-value climbing media, we we see more of these floating and flying perspectives and more of these ingenious techniques for capturing them.
Of course, fancy shots do not a good video make — ultimately, it is the story and the characters that pull us into any movie. Judging by their previous track record, however, the folks at Big Up and the Reel Rock Tour will not disappoint on this front, either.