I recently watched (via DVD) Tommy Caldwell and Kevin Jorgeson attempt to free climb a particularly blank line up Dawn Wall in Yosemite. Even though I’m a jaded former climbing magazine editor, I was amazed as the camera revealed a barren, vertiginous world of golden granite that few humans will ever visit. I watched, slackjawed, as the duo battled to crimp down on ripples and slivers, took massive whippers thousands of feet above the valley floor, slept on a portaledge, pooped… . It was clear to me how the climbers got to their lonely, suspended perch, but, hey, how did those get cameras up there? Perhaps you’ve wondered the same thing when watching vids like these.
Well, I know a few of the crazy dudes who do this high-angle camera work, and the truth is, they’re climbers, too. The camera operators must be comfortable with the heights and inherent dangers of climbing, fit enough to get where they need to go while hauling a big fracking bag of camera gear up with them, and have a solid understanding of safety gear and techniques. Oh, they also have to know how to point a camera in the right direction and a push the little red button, too.
While the grueling process just described isn’t bound to change anytime soon, there is a new weapon in the climbing documentarian’s arsenal: the remote-control helicopter. I came across this guest post from Swiss photographer Fred Moix on Nikon Rumors today and felt the urge to share. In it, Fred explains his use of aerial drones for getting far-out shots from pretty much any angle. Fred isn’t the first to use this technique, and the rig he shows in the post, while effective, seems to be pretty DIY. A more polished version can be seen at dedicam.tv. Mammut enlisted the aid of the folks at Dedicam in the making of the video below, which really captures the feel of exposure, height, and freedom that climbing offers.
While no climbing video has really pushed the limits of this technology yet, I think it’s only a matter of time before we see aerial shots incorporated to into more videos from big-name production companies, just as we’ve come to expect artsy DSLR depth-of-field focus pulls and mechanized time lapse slider shots.
Media makers are constantly pushing to document the act and beauty of climbing in greater detail and from wilder perspectives. And while no series of images, words, and sounds will ever match the soul-expanding intensity of a great day out on the rock, quality documentation does offer new ways of looking at, understanding, and sharing our passions. It brings new climbers to the sport and inspires old ones to don their dusty shoes again. In this regard, I see the untethered, dragonfly views that aerial drones enable as a welcome addition to the photographer’s or videographer’s quiver. And I’m excited to see what’s next.
Anyone out there have some other rad examples of climbing footage (or footage from any sport, really) shot with aerial drones? I’d love to see ‘em. Post your links in the comments.
— Update –
A commenter pointed out, as did the videographer Corey Rich himself, via Twitter, that the D4 premier video Why incorporated RC heli shots. These appear in both the kayaking (or extreme canoeing, as I like to call it) and climbing segments of the movie. I watched Why several times and, frankly, I’m very disappointed in myself for missing that [snaps self with one of several rubber bands worn around wrist]. Embedded below are both the making-of, where you get to see the RC heli crashing and being repaired, and the original short movie, which is masterfully put together.