Turkey: A Trip Worth Taking

I’m writing to you from Kadir’s Tree House, a funny little tourist resort in Olympos, Turkey. I’m here for Petzl RocTrip, which, by the time you read this, will be over. This was a work trip, mind you, so I didn’t do much climbing, but it was still an experience worth sharing. I’ve heard the value of a picture can be quantified in terms of words, and that, in fact, it takes more than a few words to pay for one picture. Therefore I’ll turn to some pictures to tell you, in a very broad sense, the story of my two-week trip to turkey, which was localized to Olympos and an area called Geyikbayiri.

It’s important to note this post focuses on the places I visited more than the people I met. Indeed, it’s harder to translate the new friendships and the perspective-stretching discussions one has during a truly international event like this one (people from over 60 countries attended RocTrip’s 40-day road trip across Eastern Europe). In my last post, I wrote that climbing was a wonderful vehicle for connecting with people of different backgrounds from yourself. After this trip, I believe that more than ever… but that’s a topic for another day.

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When you fly into Turkey’s Antalya airport (usually via Istanbul or Munich), you pass over the Taurus mountains, home to Mount Olympos and the town and crag of Geyikbayiri. These peaks, up to 3,756 meters, rise almost directly out of the Mediterranean sea, which is, as they say, preternaturally blue and clear and warm.

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The city of Antalya was built 150 years before Christ, give or take, but really grew and prospered under Roman rule during the Pax Romana. The city looks Roman in its layout, my mom pointed out when I sent her this arial image. I have no idea if that’s true, but it sounds good, so I’m going with it. (Fun fact: in 2013, Antalya was the third most visited city by international tourists behind Paris and London. Who knew?)

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You can either camp or rent bungalows or pitch a tent at several spots in Geyikbayiri. Here, climbers chill at a place called Rido’s Camp, which has tents and this nice gathering spot with beer and wine, water, good food, and bad wifi. Other places that offer accommodations are Jo.Si.To, with its camping, bungalows, nourishment and beverages. The Climbers Garden is also a great option—it also offers camping, bungalows, and food and drink. I didn’t eat much at these places, but the steak at the Climbers Garden restaurant was exceptional.

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In Geyikbayiri, bands of limestone are in no short supply. They range from clean faces, to sweeping caves, to clumpy, funky, globular formations that require stemming and stink-bugging and other 3-D climbing techniques to navigate. Here, the view from the Trebenna crag, just a 10-minute walk from Rido’s Camp (which you can see it in the lower left hand corner of this picture).

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The climbing at Geyikbayiri is quite good, and also plentiful. A variety of rock types and difficulties can be found there, all detailed with excellent pictures and topos (many of which will have to be updated thanks to the RocTrip sending spree) in Öztürk Kayıkçı’s new guidebook. Here’s a list of spots to get the guide: http://bit.ly/turkeyclimbingguide.

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While here, we checked out a super-crag called Çidtibi, which was bolted almost entirely for the Petzl RocTrip. The routes here range from 60 feet to 500 feet in length and feature limestone tufas of many shapes and sizes, along with your other, more typical holds. Climbing these formations is really a full-body experience, which some climbers referred to as “going to the rodeo.” Here, Heather Weidner at the rodeo.

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Plentiful in the region are fruits, most famously pomegranates. Vendors at Geyikbayiri’s local market will kindly sell you a liter of freshly squeezed, deep-red pomegranate juice in an old water bottle for just a few bucks. Way cheaper than that Pom stuff they sell at Whole Foods.

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Some ladies in Geyikbayiri crankin’ out the gözleme, a tasty Turkish pastry typically filled with cheese, spinach, potatoes, meat, or some combination thereof. Gözleme shops in this area and in Olympos can be found every couple of doors, and while I’m sure some are better than others, I know not how to make a determination. If I stayed here for long, I might make it my mission to try each one.

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After a few days, the Petzl RocTrip caravan headed to the town of Olympos, down on the coast. Most folks stayed in a funky, touristy spot called Kadir’s Treehouse, which actually used to offer accommodations in elevated tree houses, but I was told they burned down. Now you just stay in roughly made wooden structures that are vaguely tree-house-ish, tightly packed, and with almost no protection against the transmission of sound waves. Wild cats, dogs, and chickens roam the grounds, along with German tourists.

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The three most striking feature of Olympos are the history, made visible in the form of ruins dating back to the Hellenistic period, the stony mountains, and the clear blue sea. Here, two of the three are visible. The freshwater flowing in the foreground actually drains into the Mediterranean, just five minutes down the road.

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There’s a bunch of cool sport climbing within walking distance of the accommodations in Olympos, but the most interesting experience overall was the deep water soloing, accessed by a 45-minute boat ride. I’m not sure if this is something the average person can arrange, or if it was specially orchestrated for RocTrip, but just cruising out along the mountainous coast was reason enough to head to the DWS section. Chances are, if there’s money to be made taking climbers out on such excursions, someone will make a business of it.

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The climbing at the Olympos DWS area was described by those who experienced it as “sharp,” “slippery,” and “scary” … however these same climbers proclaimed the experience to be absolutely amazing and not to be missed. The cliffs were up to 25 meters high, but have no fear: the water at the base is far deeper than the wall is tall. It’s important to have a good boat driver who will swing over and pull you out of the water after a hard landing.

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When the sun sets on the ruins of ancient Olympos, the energy of a thousand generations resonates in the air. This land is a palimpsest of human activity, and the climbers visiting for RocTrip were just another brush stroke on the canvas. If you’re in search of a new climbing experience and looking to travel, and provided political relations remains stable, I suggest adding Turkey to your short list.

 

The Big DL and the Little Seed

A crowd bustled for position at the gate. O'Hare International airport, Chicago.

I consider myself to be just one among 7 billion human beings. If I were to think of myself as different from others, or as something special, it would create a barrier between us. What makes us the same is that we all want to lead happy lives and gather friends around us. And friendship is based on trust, honesty and openness.

I was at Chicago O’Hare airport, surrounded by thousands of strangers in varying mental states (some relaxed, but most livid, hurried, or harried), when the above quote from the Dalai Lama appeared in my Facebook feed. Suddenly, all of the people around me seemed a little less like strangers and a little more like compatriots in this particular moment in this funny ride called life. His Holiness, or The Big DL, as I sometimes call him, is one of the rare disembodied entities of the social mediasphere whose posts actually make me feel calmer rather than more agitated.

As I waited for my flight to Turkey to board, I looked up towards the ceiling-mounted flat screen television, tuned eternally to 24-hour news coverage. A pair of talking heads sparred on the topic of armed conflict on the border between Turkey and Syria. A sinister new organization called ISIS was storming a Kurdish town called Kobani, perpetrating all manner of horrors, while the U.S. and a few other countries offered a few air strikes as support. Just then, an email warning from the State Department flashed across my phone, warning me about protests, some violent, flaring up across Turkey. The protesters, mostly Kurds, decried Turkey’s lack of support for their brethren on the embattled border.

Again, my faith in humanity started to creak under the strain… Until, that is, I saw another post from The Big DL: “Because of our intelligence we human beings are uniquely capable not only of creating problems, but of doing so on a large scale.” So true, I thought. So perspicacious of him. But he continued: “Therefore, it is important that we use our intelligence in constructive ways. That’s what warm-heartedness and concern for others lead us to do.”

Say what you will about the Dalai Lama, but he does a great job reminding us—patiently and repeatedly—of some very important topics, like our shared humanity, that are so easy to forget when we think only of ourselves. For example, I’d missed my flight to Turkey the day prior and had to wait 24 hours to continue on my journey.

The confusion and inconvenience of it all, when viewed from the narrow and selfish vantage of the individual, is infuriating. “You cost me 200 dollars!” shouted one man at a weary airline agent in a rumpled suit sometime after midnight. There was so much dissatisfaction visible on the faces around me, everyone was laser focused on their own needs: have a problem! Why did this happen to me? Who will fix my problem? Who will make me happy again? There was little “warm-heartedness and concern for others,” in the air.

For some reason it’s common that we make more problems when we have problems. And because we have such big brains, we make much bigger problems than our fellow creatures on this earth. Remember Ghostbusters 2? Well that river of psychoreactive ectoplasm beneath NYC was a metaphor for what’s in our hearts when we think of ourselves as separate from everyone else, when we think that we’re the only ones with problems and everyone else is to blame. And the supernatural destruction the slime wrought? Nothing more than a stand-in for our own selfish and fearful acts, a manifestation of the poison within.

Since this strange little moment in the airport, I’ve been trying to carry The Big DL’s words in my heart and find the shared humanity in the “other” and the “stranger.” Now in Turkey for Petzl RocTrip, surrounded almost entirely by people from other cultures, I find the shared connection of climbing helps break down that all-too-common barrier so that we can connect and empathize. I’m pretty sure this sort of connection is the seed of a more peaceful and happy world… even if it sometimes seems like a very tiny seed.

The 5 Achievements of Climbing

Seated Bodhisattva carved in stone at Hakdoam temple in Seoul, Korea. By Eggmoon (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Seated Bodhisattva carved in stone at Hakdoam temple in Seoul, Korea. By Eggmoon, via Wikimedia Commons.

As a climber of more than two decades, I’ve noticed there’s often a pattern to my behavior: climb regularly, get stronger, grow obsessed with projects , succeed… and turn immediately to the next project. The quest for improvement drives me ever forward and busies my mind. When I’m not training or eating right, I feel a twinge of guilt. When I’m feeling fit and strong, I’m motivated to train even harder, to push through to that rarefied next level to which I’ve never before risen. And so, fit or fat, topping out or falling on my ass, I’m hardly ever perfectly contented.

It got me thinking: maybe the next level doesn’t involve being stronger, after all—maybe it’s something else entirely: Being fulfilled by each moment, being selfless, feeling not lighter in body but in mind, unburdened, open, free… Maybe climbing, if we let it be, is actually a stepladder to get us somewhere else, where climbing is no longer necessary. (This is just a theory, mind you.)

In the movie Hero, a master swordsman plots to assassinate the king of Qin during China’s warring states period. Addressing his would-be assassin, the king offers his interpretation of the three achievements of swordsmanship: First is “the unity of man and sword.” Second is “when the sword exists in one’s heart when absent from one’s hand.” The third and ultimate achievement is “the absence of the sword in both hand and heart.” It’s counterintuitive that the greatest achievement of the swordsman is non-violence. Or is it? Below, in the style of Hero’s king, the five achievements of climbing:

1. Neophyte – Never having climbed, the first-timer brings few expectations. He or she operates almost entirely on instinct. Depending on his or her fitness level and comfort with heights, the state of “beginner’s mind” can allow the new climber to operate with surprising creativity. Still, having no specific strength or flexibility, the neophyte can only play in the vertical world a short time before running out of gas.

2. Intermediate – Armed with just enough knowledge to get in his or her own way, the intermediate climber often over-grips and uses more advanced climbing techniques at the wrong moments, exhausting him or herself while at the same time battling internal demons of fear and doubt. The limitations of physical strength are still apparent here, as the intermediate climber still hasn’t developed the musculature, tendon strength, flexibility, or catalog of engrams to allow him or her to execute complex movements efficiently. An overriding focus on getting to the top drives the intermediate climber, often at the expense of technique or a deeper sense of fulfillment.

3. Expert – Training and consistent practice have built strength, a sense of body position, and an eye for reading sequences. Now able to quickly decode the puzzle of the stone (or plastic), the expert moves with confidence and grace, occasionally achieving the “flow” state, mistaking it for enlightenment. However, the goal of finishing the climb still hangs heavily in the heart of the expert, creating a fixation on training and on the self-propagating delusion of success and failure.

4. Master – Having moved beyond mere strength, the master’s technique is so complete that he or she can execute even the most difficult moves with perfect efficiency. Having moved beyond the goal-oriented mindset, the master climbs only for the transcendent moment the climb provides. A master has no need to burn off other climbers or to receive recognition for his or her achievements, nor does the master hide from attention. With no ego, the master is happy to help others before working on his or her own project.

5. Bodhisattva – Climbing’s ultimate achievement is the transcendence of the climb in both body and heart. The boundaries between climber and climbed, between self and other, between good and bad dissolve. Any climb is now possible, yet no climb is necessary. The climber is at peace with the world and vows never to chase numbers, sandbag n00bs, or judge others, but instead focuses on bringing peace to mankind.

Chaos Canyon

A climber bouldering in Chaos Canyon, Colorado. Photo: Justin Roth

Chaos Canyon

Boom of dry lightning
rattles this stony canyon,
where stones shift and slide
as they have for eons.

Layered shape of chaos
shape of heated and cooled
liquid folded into solid,
fractured and split, eroded
and uplifted, cleaved and overturned,
ancient and artless: for this
one sliver of time reborn
in the human mind as a climb.

Through all the creatures whose bodies
have grown, grown cold,
and decomposed in its shadow,
never has this rock meant before.
Is this really the first time the wheel
has notched into this position?

Things fall apart; the center won’t hold,
but still the stone remains, a koan:
if a boulder sits on a hillside
and no one’s left to climb it,
does it have a grade?

What’s That Thing on Your Back? 10 Answers

 

A boulderer with a lot of crashpads on her back.

A refrigerator filled with crag snacks? Kasia Pietras is packing some serious foam. Photo: Terry Paholek

During a trip to Maine’s Acadia National Park, I decided to do a little bouldering. I brought one of the new Petzl pads from the office—it’s a standard mid-sized pad in outward appearance, but it’s also bright orange and emblazoned with a sizable Petzl logo. Its highly visible color scheme might have factored into the onslaught of questions with which passing tourists pelted me, most of them a variation of What’s that thing on your back?

I’ve bouldered for 20 years now and have been asked this question hundreds of times, so I probably shouldn’t be surprised when yet another stranger stops to gape at my admittedly Spongebob-like form… but I am. Every time I try to answer, I feel myself getting frustrated. Invariably, the curious person’s face grows more, not less, confused as I offer my explanation:

“Excuse me, but what is that thing on your back?” Asks the well-meaning passerby.

“It’s a pad. We put it on the ground when we’re rock climbing,” I’ll say.

“Oh, so you use it instead of a rope?”

“Not really. We’re climbing really short rocks, so when we fall, we just fall on the pads.”

“Oh, that sounds dangerous.”

“It’s not really dangerous. We’re usually only five or 10 feet off the ground…”

“So you’re practicing for bigger climbs, then?”

By this time, the futility of the conversation has started to sink in. To explain the intricacies of the various types of climbing is a surprisingly complex endeavor. Believe it or not, the differences between gym climbing, bouldering, sport climbing, trad cragging, ice climbing, big walling, and alpinism aren’t widely known or even intuitively grasped by the layperson. For most, the Alex Honnold profile on 60 Minutes and maybe the movie Vertical Limit comprise their only climbing reference points.

In an effort to shorten the length of such trail encounters, my friends and I have devised a list of short responses that, while patently false, might offer enough of an explanation (or create sufficient bewilderment) to allow us to plod on towards our little projects on little rocks. Following are 10 favorites (but I’d love it if you’d offer your own in the comments section)…

What’s That Thing on Your Back? 10 Answers:

  1. A portable massage table.
  2. Folded up hang glider—we’re hiking up to the top of this hill to jump off and fly back down.
  3. It’s just a big backpack. I like to have my bases covered while out on a hike.
  4. A sleeping mat for camping. Way more comfortable than those little roll-up ones!
  5. We’re training for the world stair-climbing championships, and walking trails with unwieldy 200-pound squares on our back has been shown to be the most effective way to improve quad and glute strength.
  6. It’s a parachute; I’m a BASE jumper!
  7. This a pad for climbing. We wear them on our backs while we climb big cliffs. If we fall, we try to lean back and land pad-first, so we don’t get hurt.
  8. Oh, these? These are components of a large robot, which my friends and I will assemble when we get out far enough into the woods.
  9. It’s a dog bed… hey, where is my dog? Oh damn, she was here a minute ago! Peaches! Where are you Peaches?!
  10. This is a trail rickshaw seat. For 20 bucks, I’ll give you a ride to the next viewpoint. Hop on!

Angie Payne’s New Project: Photography

This week’s guest post is from pro climber Angie Payne. Aside from being one of the strongest boulders in the country, she’s also a gifted, self-taught photographer. 

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Self portrait by Angie Payne

I started climbing in a gym in Cincinnati, Ohio, when I was 11 years old. When I moved to Colorado at the age of 19, spending time outside wasn’t high on the list of reasons why I climbed. I was too intimidated by the raw, inhospitable nature of nearby high-altitude bouldering areas like Rocky Mountain National Park to appreciate their splendor.

My first serious project in The Park was a V12 called European Human Being. The climb required three seasons of hard, often frustrating work, but it was during that period that the rocky armor of the alpine environment began to fracture, revealing a delicate beauty. As I progressed through various climbing projects, I started taking pictures with my iPhone in an effort to capture the beauty all around me. Soon, capturing the essence of the place where I now spent so much of my time became another kind of project that filled the spaces between attempts on the boulders. Climbing brought me to these gorgeous places, but photography added a new depth to my enjoyment of them.

Starting in 2012, I shot thousands of images using only my iPhone 4s. Eventually I added magnetic lenses and some basic editing apps to my quiver and posted my favorites to Instagram. The images below are a small sampling from the resulting collection. They are among my favorites, because I think they convey the essence of certain places and moments that I have experienced mostly thanks to climbing.

—Angie Payne

 

Sunlit clouds in Rocky Mountain National Park. Photo: Angie Payne

I first tried Freaks of the Industry in 2010 and spent nearly 60 days working on it [Angie sent in July 2014 —JR]. During one moment of intense frustration in 2012, the setting sun ignited the sky for a moment, leaving me no choice but to abandon my anger and enjoy the fleeting display of color.

 

Ice crystals in Rocky Mountain National park. Photo: Angie Payne.

But the distractions didn’t always come to me in the form of spectacular sunsets. When potential success was maddeningly close and I needed to force myself to rest, I would often walk away from the boulder and search for new details I had overlooked, like small ice pillars in a frozen pond. The more subtleties I found, the more at ease I felt up there. It soon became my second home.

 

Greenland landscape photo triptych. Photos: Angie Payne

I stepped far outside my comfort zone to go to Greenland. The raw beauty was overwhelming, and the volatility of the landscape was intimidating. Trying to capture the huge, magnificent vistas with a tiny iPhone felt futile, but it did help me get more comfortable with the remote cirque. 

 

For photos from Greenalnd. Photos: Angie Payne

Greenland had a seemingly endless collection of icebergs, each with its own perfect shapes and lines. Seeing these behemoths opened my eyes to the fantastic artwork that nature can create, like a perfectly fragmented piece of sandstone or an improbable snow sculpture.

 

Photos finding beauty in the mundane—triptych. Photos: Angie Payne

Not many places can hold a candle to the splendor of Greenland. Still, armed with my iPhone and a new “project,” I began to recognize beauty in more mundane things: an old chain, the classic airplane view, a puddle outside my front door—when the light, wind, and weather hit them just right, they are all quite pretty. 

 

Detail shots of bubbles and a snowflake. Photos: Angie Payne

And then there are the details. One layer below those beautifully mundane things is… well… more beauty. Sticking a small macro lens on my iPhone illuminated a world of intricacies. I quickly learned that capturing these details with clarity is much like perfecting the subtleties of a boulder problem. Frustration comes quickly, but with a lot of patience and a little luck, the results can be rewarding. 

 

Carlo Traversi catching his breath after climbing in the Psicocomp competition in Park City, Utah. Photo: Angie Payne

I’ve heard it said that the best camera is the one you have with you. My phone is almost always with me, so it just seemed logical to keep using it as my camera. Doing so allowed me to capture moments that would have otherwise been left to my imperfect memory. One such moment came at the 2013 Psicocomp in Park City, Utah, after Carlo Traversi finished an intense race to the top of the wall, careened into the water, and barely dragged himself out again. As he struggled to catch his breath, I snapped a photo that came to epitomize the experience for me.   

 

Train tracks derailed by the great Boulder flood of 2013. Photo: Angie Payne.

Another moment of this sort came during the thousand-year flood in the Front Range of Colorado, also in 2013. While cleaning out a friend-of-a-friend’s mud-filled basement, I took a break to wander through the neighborhood. The train tracks had been tossed about, turned into a roller-coaster of sorts. It almost felt wrong to snap that photo, but I did. That there was some kind of beauty in the midst of such devastation seemed deserving of documentation.   

 

Four nature photos from Rocky Mountain National Park. Photos: Angie Payne

Eventually, when the rivers of the Front Range retreated and the routines of life in Boulder resumed, I found myself back where it all began. Beautiful new scenes continue to reveal themselves in Rocky Mountain National Park, even after hundreds of trips up there. Freaks of the Industry, The long-term project that was to thank for many a photo has finally been put to rest. The new interest that it helped birth, however, lives on. In fact, I just invested in a new DSLR. While capturing immense or intricate beauty with my humble little iPhone is still an appealing challenge, it seems I have found a new project in learning to master a more complicated device. And so, the cycle of projecting continues…

 

 

Headshot of Angie PayneAngie Payne is based out of Boulder, Colorado. She’s sponsored by Mountain Hardwear, eGrips, Five Ten, Organic Climbing Company, LifeSport, and Mac’s Smack. In addition to climbing and obsessing over iPhone photos, she enjoys watching TV murder mysteries and washing dishes (seriously). Check out her website and follow her on Instagram.

Taking A Break

Panorama of the lighthouse at Fort Williams Park

Every Tuesday for a year and a half, I’ve posted a short essay here. Most of them have revolved around the intersection of climbing, outdoor life, psychology, and philosophy. One blog a week probably doesn’t seem like a lot, but when you have a busy desk job and a home life and a persistent climbing habit, putting in four or five hours a week to write something that you’re not even sure anyone will read and that you’re certain won’t make you any money can, at times, wear on one’s spirits. Still, it’s a labor of love, as they say, and always worth it in the end. I learn something (and not always what I expected) with every post.

But this week, I’m going to phone it in. Why? Because right now I’m on vacation. It’s the first real vacation—during which I sleep late and hang out by the ocean and don’t check work emails—I’ve taken in a while. And you know what? It feels good… important, even.

So I’m not going to offer up any climbing-themed life metaphors or decision trees or top-10 lists this week. This is it—a picture of a lighthouse by the ocean here in Maine and a message to you: If you’re a working stiff, a go-getter with dreams of saving (or dominating) the world, a driven soul who reads and studies and collects experiences like there’s no time to waste, you need to take a break from time to time. It’s as true in general life as it is in climbing. Without rest, there can be no recovery. Without stepping back and away, we can’t achieve that all-important broader perspective.

So what will my perspective be after this little reprieve? I can’t really say. But that’s the point, after all…

What Kind of Roadtripmobile is Right for You?

My friend Rick told me he planned to get a Sportsmobile, a converted van with features like four-wheel drive, sleeping accommodations for four, a heating system with thermostat, even a water tank complete with outdoor shower attachment. It’s basically a pint-sized RV with serious off-road capabilities. Even used, Sportsmobiles aren’t cheap, but it’s worth it to Rick because that’s the way he spends his free time. For me, a Sportsmobile would be overkill. I love to get out, but my wife and I are more day-trippers, only camping occasionally. We drive a Honda Element, which allows plenty of room for gear and crashpads, and allows us a place to sleep in relative comfort without setting up a tent and inflating our sleeping pads.

The longer I spend in the climbing world, the more roadtripmobile options I see, each suited to a particular need or lifestyle. Popped tops, raised sleeping platforms, tailgate cabana tent attachments, etc. On the modest end of the spectrum, you’ll find people who sleep in pretty much any vehicle. (I spent several seasons crashing in the parking lot of Miguel’s Pizza in my Honda Accord, rear seats folded forward and feet shoved into the trunk.) On the extreme other end lies the 52-foot long all-terrain mobile command truck called the KiraVan, brainchild of Bran Ferren, former R&D head for Disney’s Imageneering Department. Most of us fall in the middle.

To help you find the roadtripmobile that suits your needs, dear reader, I’ve put together this handy decision tree. May it help lead you to the right-sized vehicle of your road-tripping dreams… sort of.

Roadtripmobile decision tree

Inside Out

Mountains in the Wasatch

The health of the eye seems to demand a horizon. We are never tired, so long as we can see far enough.

—Ralph Waldo Emerson

I stare into the glow. My mind races. Images and words scroll by without end. The river of information, of which I see only one tiny rivulet, rages on, a mighty Ganges of human experience from the absurd to the sublime.

As I scan, my mind dances through a chaotic jumble of emotions: delight (kittens, baby sloths), envy (pics from friends’ exotic vacations and climbing trips), annoyance (knee-jerk political posts, chronic over-sharing), frustration (all the intractable problems of humanity’s own making), confusion (what does it all mean?!)… . There is so much information “out there,” but staring into the screen only pushes me deeper into my own head, creating a cacophony of disembodied voices and stoking a sourceless anxiety that feels all too real.

I set down my phone (does anyone else think it’s ridiculous to call these things “phones” anymore?) and drive up into the nearby canyons of the Wasatch. I park my car and walk away from the road as quickly as possible, rock-hoping up a steep talus slope towards a different headspace.

An hour of slow plodding later, perched on a high boulder with the noise of the road a faint shush, I get a view out across the facing slope of the canyon and to higher peaks in the distance. A large bird lands on the twisted old branch of a long-dead tree and watches me across a wide expanse of open air. We sit like this for minutes, both of us the most recent representatives of our respective, billions-of-years-old evolutionary trees. The scale of this place starts to pull my gaze out towards the world, away from my own special blend of worries and desires. The considerations that earlier had filled my entire awareness now feel small and inconsequential.

“How important is a constant intercourse with nature and the contemplation of natural phenomena to the preservation of moral and intellectual health!” wrote Henry David Thoreau in his journal back in 1851. Sitting on a plank of granite, feeling its cool rasp, following the acute green arrows of a hundred thousand pine trees all pointing in unison towards distant peaks and cloudless skies, I cannot help but agree.

Now the metaphors of the natural world begin to present themselves. There are lessons in the talus fields (something about chain reactions and unintended consequences). There is meaning in the bushwhack (a funny realization that you can only really be off-trail if you have a destination in the first place). Looking out over a landscape marked only faintly by human passage, I start to get the sense that the separation between “here” and “there,” between “me” and “it” is much fuzzier than it felt just hours before. Like the moon in the daytime sky, these realizations were always present, just hidden.

My phone is in my pocket, just in case: maybe I’ll score a selfie with the local moose, or need to call for help when that seemingly stable talus block shifts ever so slightly onto my tibia. Later, I’ll use it to map the coördinates of the boulder I found, as big as a McMansion, near the top of the ridge. Later still I’ll open up my laptop and start typing this blog post. I’ll use Google to find that Emerson quote I was thinking of and to look up the etymology of the world talus (disappointingly, it’s French for “embankment”). There’s nothing inherently wrong with the world of the screen, after all, just the eyes with which we regard it.

That night, half asleep in my room with the window open, the crickets chirp so loudly and in such synchrony that for a moment I think the neighbors alarm system has been triggered. A stormy wind respirates the curtain in and out. Thunder rolls back and forth across the sky. The trick of taking lessons from nature is, I think, carrying them with us wherever we go: at home, to the office, in the subway, on the airplane. It’s keeping the perspective that nature offers us on our tiny but integral place in this world and on the even tinier worries that loom large until we hold up a finger and realize they’re no bigger than our thumbnail and no closer than the moon.

Plaid Free

Plain in a land of plaid

I stood in front of the mirror and sighed. What am I doing? I wondered aloud. I was flashing back to those days in middle school where there was a very real possibility that one of my peers would point at me and call me a loser just because of the clothes I was wearing. Cold sweat beaded on my forehead as I pictured the reactions waiting for me at the Outdoor Retailer Show when it became clear that I was on the wagon, so to speak, a tartan teetotaler—that I had, in fact, gone plaid free.

As I entered the great bustling halls of the Salt Palace, I felt the gazes of hundreds of horrified show-goers fall on me as I walked past. In my cocoon of self-consciousness, I tripped over a small wiener dog following his owner across the aisle. As I was now on his level, the nub-legged canine approached me, cautious and sniffing. One look at my solid blue, short-sleeved, collared shirt with a finely embroidered flock of birds swirling on the shoulder, and the creature started to yap at me and back away in fear. His owner, wearing a plaid shirt and mismatched plaid shorts, turned to see what the fuss was about. A look of anger and confusion crisscrossed his face before he turned in a huff, as if to say, Come along, Denali, he’s not even worth it.

I sat stunned for a minute as the plaid-patterned world swirled around me, whelmed up over me, disoriented me with its many colors and designs. Just then, a dear friend who I hadn’t seen since last year’s show grabbed me by the elbow and hoisted me to my feet.

“Hey J,” he said jovially. “Not rocking the plaid this year, I see! Good move—plaid is played.”

It took a moment for me to tighten up my slack jaw and shake the anxiety from my eyes, but once I did so, I was amazed to see that my friend wore a dark grey shirt with little campfires printed all over it. And then to his right I spotted a plain black shirt, and a green one with pale stripes over there. Was that an acid-washed denim that flitted in the distance? I couldn’t be sure. The more I looked, the more I noticed the anti-plaids—still only a small percentage of the crowd, sure, but a significant one. I wasn’t alone, after all. Proudly plaidless, my friend and I headed over to the Royal Robbins booth to wait in a long line for a free latte.

From a purely logistical standpoint, it wasn’t easy to make it through the show (four days) without wearing a plaid shirt. My employer’s liberal dress code excluded only a few items of clothing, but alongside shorts (especially of the cargo variety) and Crocs, T-shirts were also on the non grata list. Having worked in the outdoor industry for over a decade, my non-T-shirt wardrobe is limited, but by counting out plaid, my options ran dangerously low.

On day three, I thought for sure I wouldn’t be able to make it. After spending a full 20 minutes gazing dead-eyed into my closet wondering if a v-neck was OR-appropriate, I went digging through boxes of old, forgotten garments. There, I found that tank top with horizontal stripes I’d purchased in an effort to fit in while bouldering at The Spot. I found an old rayon shirt with a mondo collar I got at a thrift store for a ’70’s party. I found my childhood bolo tie collection and a bunch of drab old long-sleeved dress shirts I used to wear to my first office job. No dice.

Finally, in the back of my closet, hidden behind a fluffy wall of down jackets and fleece hoodies, I uncovered a pair of collared, polo-style shirts that I’d long-since forgotten. Maybe it was the mustard stains and moth holes that prompted me to stash them out of sight, but flaws be damned, I was happy to see them. I pulled them free with glee, leaving my thick swath of plaid button-ups hanging. My audacious plans for a plaid-free show seemed suddenly attainable.

As day four drew to a close, I strolled among the booths with a sense of accomplishment. I’d stuck to my guns and come out the other side. Plaid, it turns out, isn’t required OR Show attire. In fact, a small but growing anti-plaid trend has already taken root in the outdoor industry.

For the time being, most outdoorsy guys’ closets look like mine, and so we can expect to see a strong plaid presence for at least the next three to five years. But as the practical, wicking, wrinkle-free cotton/poly blends of those old plaids grows threadbare, I have a feeling they’ll be replaced not with more of the same, but with some other pattern, or lack of a pattern, or who knows what. Maybe the plaid of the future is some pattern that hasn’t even been invented yet! Whatever it is, I can’t wait to see it…